audiophile speakers vs studio monitors

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22 January 2021

Studio Monitors are usually more neutral sounding and relentlessly accurate. ATC SCM 150 ASLs are found in studios and home systems worldwide. You are talking about Advents, right? Point is that certain audiophile speakers tend to make the listening of certain recorded material more pleasurable than an accurate studio monitor. I can't speak for every speaker/monitor out there but there are plenty of studio monitors I would use for just listening and plenty of Audiophile speakers I would use to mix with. Studio monitors vs. audiophile speakers Subscribe to Ask Paul Ask a Question. 3-way speakers add a mid-range driver to … 2-way are usually cheaper, having just a bass (woofer) and treble (tweeter) speaker or driver built in. The only time you should use a fourth order electrical network on a driver is if has response at least two octaves beyond the crossover frequency, to ensure driver rolloff does not interfere with the filter behaviour. This is very difficult to guarantee with any two-way speaker, though many manufacturers, and even my own DIY monitors, violate this rule mercilessly. Some speaker systems excel at reproducing movie soundtracks but are merely satisfactory on music—or the reverse. It depends. Studio monitors, with very few exceptions, are “active” or “powered” speakers, which means the power amplifier is built into the speaker … The truth, if you are objective about is that you really need both the headphones and monitors… highpass behavior of the tweeter itself. Interesting! There's an often quoted misconception that studio monitors are better than high-end speakers or vice versa. Please read the following detailed description of the speakers … They just strike me as not being particularly neutral, although it's true that they are surprisingly detailed. Even when designing a good studio monitor manufacturer should factor in driver response. Longevity/Relevance is a topic about how meaningful a speaker is in the marketplace and how long it has been a relevant speaker for those seeking top-level audiophile speaker performance.Some speakers … Would it be practical to use 20.1's as mastering speakers? acoustic response due to the inherent 12 dB/oct. I have a pair of ASC Sapphires that I use for both... (maybe finishing options and some floor standing designs, which exist only for audiophiles). Guys, with all due respect, one just can't mix on a Maggie. To the original question, yes, there is a basic difference. Studio monitors and audiophile speakers aren’t the same thing Steve Guttenberg Audiophiliac. He had them set up in the living room when I was a kid. Guys, with all due respect, one just can't mix on a Maggie. Not trying to speak on behalf of Steve but is'nt he speaking about mastering using Maggies? But a studio monitor is more likely to sound consistent across more genres of music than any of these audiophile speakers … The Nearfield Monitor — A Brief History. Not playback on Maggies. they have built-in power amplifiers. With 1030a you need a sub for sure. Dynaudio BM6 passive studio monitor uses single cap, as does popular consumer speaker KEF Q300. Home stereo or hi-fi speakers are almost always “passive” speakers; i.e. While powered speakers are designed to project sounds throughout a room, studio monitors have been crafted with short distances in mind. I worked on the 1030A for a few years. Normal speakers add color to the sound they deliver but studio monitors are designed to deliver sound without coloring the frequencies. Audiophile Speakers are usually with some color and warmth in the sound. Try it on a non-screen. There's an often quoted misconception that studio monitors are better than high-end speakers … The B&W rig will probably be significantly cheaper, as well. I think you may need to spend a lot more money on a powered monitor before that ends up not being the case. The ones intended for studios are matte black while the audiophile … they require an external (power) amplifier with speaker outputs. Typically there are more issues at the low end of the price chart, where all gear tends to have more compromises. Studio monitors tend to come in 2-way or 3-way designs. Former has crossover at 2KHz, latter has it at 5KHz. If both speakers look the same then you are not getting a stereo pair. I personally find Maggies very capable of dynamics. Ones that you would recommend? Specifically, I'm looking at (probably used) B&Ws. I know that's a brand that is fairly popular in studios (especially with classical and mastering guys, although I believe Steve Albini used a pair of B&Ws for mixing), but you won't find them for sale through most pro audio dealers. The monitor speaker is a speaker without sound rendering. There are no audiophile nearfield monitors...that is what comes to mind in studio situations. ..... as it is assumed that someone dropping a lot of cash on a system will also have a great room or one with proper acoustic treatment. Have you ever seen 'audiophile' speakers used in a 'pro' studio? The monitor speaker is a piece of professional audio equipment. The differences mainly emerge in baffle step compensation, directivity and polar response. Let’s first talk about technical differences. This is not my forte - glad to be corrected - but I believe it goes something like this - in a speaker with a passive crossover, if clipping happens at the lower frequencies, it may produce surges in HF energy which can damage the HF driver. wish I had those in my college dorm!! Studio Monitors vs. Its mentioned time & again that Genelec have a true tonal character which is faithful to the source/recording whereas an audiophile speaker is 'intentionally' tuned to sound mellow/heavy/bright as per the listener's taste. This was definitely not the case with the Paradigm Monitor 11 system we put together, which comprised a pair of Monitor 11 towers, a Center 3 speaker, two Mini Monitors… 1031a is much better alternative. towards lower frequencies for constant SPL and the driver is not built for that. Furthermore, the tweeter will contribute a good amount of intermodulation distortion because the cone excursion wants to rise at 12 dB/oct. I recapped mine, and refoamed them. Speakers. http://www.atcloudspeakers.co.uk/hi-...-series/scm19/, http://www.revelspeakers.com/Products/Details/224, https://www.gearslutz.com/board/maste...ting-hype.html, New Event Opal Monitors - not your regular speakers. Studio monitors, with very few exceptions, are “active” or “powered” … Active: Audiophile speakers can be active (powered) or passive (unpowered). but clipping before power amp will be delivered to the tweeter in any case (passive or active design)! Hi-fi and other home speakers are generally passive, receiving power from a dedicated standalone amplifier. crossover becomes a costly solution for achieving waveform fidelity. they require an external (power) amplifier with speaker outputs. It just about predates the explosive rise of the home and project studio and was originally the term applied to auxiliary monitors that sat on the meterbridge in large commercial studios, and were supposed to reflect the sound of typical home audio or TV speakers. Yup, audiophiles has nice lacquered and veneered PMCs and ATCs (ok, sometimes floorstanders, which is not common in studios), and pro studios … OPINIONS DIFFER: Studio monitors vs. audiophile speakers 3 December 2020 There's an often quoted misconception that studio monitors are better than high-end speakers or vice versa. This is not to say that small audio speakers … They were decent, but I have to say any similar sized Genelecs I have heard recently sound much much better. Small studio monitors are usually "active"; that is, self-powered. However, unlike the HiFi speaker, the monitor is equivalent to full fidelity. Stereophile did a "retro-review" of them a few years back and the reviewer was of the opinion that they do hold their own against modern speakers. The 4312 Studio Monitors differ from the 4311's in that the tweeters and midrange drivers are swapped from side to side for better stereo imaging. Typically very expensive speakers will also have more uniform directivity and wider polar response similar to studio speakers. On the other hand, my living room system features a pair of nearly 40-year-old Advents (lovingly reconed.) The straightforward answer for anyone stuck between deciding between a pair of headphone or studio monitors for your studio setup is do you even want to choose one when you need both for a better end product. The proper crossover of signals from one driver to the next is a subject of debate amongst audiophiles with some preferring a1st order Butterworth filter function . What are the differences? I have 1030,31,32,37,38, 8020,40. Thanks! ..........and I'm guessing I can best that with a pair of B&Ws and a decent power amp. Individual power amplifiers – with active speakers, particularly studio monitors… They also are more likely to be a bit more accurate. But there's no way I'd want to mix on them - they make everything sound much too pretty. I did refoam them, but I never thought about recapping the crossover. Home stereo or hi-fi speakers are almost always “passive” speakers; i.e. So we brought in our home speakers. Neither home speakers nor studio monitors are immune, so all are compromised, just the nature of the compromises is different. A sound-worthy speaker costing $100 purchased back in 2008 from the now defunct Circuit City. The frequency response graph of a studio monitor is normally flat in comparison to normal speakers. This is mainly because there is no international recommendation what professional loudspeaker need to be. The whole thing came out with the vocals too loud when played back on any other speakers. Mine belonged to my father. These were considered audiophile speakers when they were new. Both 'studio monitors' and bookshelf speakers can have different sound, so it's not as if one is only meant to be used in the studio or for mixing music while the other is only used for musical enjoyment. You'd be surprised! Image 3 of 4. vs mainstream 'studio monitors'? Driven by my (modern) Rotel amplifier, they sound great. I do mainly TV/Film work, and I measured them and equalized them a little. dont get me wrong though if you spend $600+ on studio monitors your gonna have a bangin system. At best, the goal may be obtained over a very small region in space and over a limited frequency range. Single capacitor crossover is not preferred for its weak ability to filter out unwanted LF from the tweeter, though the manufacturer may build their driver accordingly. June 13, 2018 by Paul McGowan. Well I'm not mixing on them, I have 2 pairs, even had them stacked in my tiny room when I was 17 (which isn't that long ago), now I use one pair ocasionally as editing speakers. Passive vs. For some time the main monitors went out of favour. Notice a difference? When you buy products through links across our site, we may earn an affiliate commission. I sit pretty close to them (mid field, I'm about 1,8 m away from them), and there is no pop, crackle, thump or noise that I don't hear on them, actually... My friend is a mastering engineer at Abbey Road, they use B&W 800 in their room. So, from my understanding then..there is no major difference between audiophile speakers and studio monitors. (I'm 36, so the speakers are slightly older than me.) At 40 watts with a frequency response of 35Hz – 20KHz, it is not comparable to studio monitors… I grew up listening to those speakers, so I certainly am familiar with the sound. ... Are studio monitors more accurate than audiophile speakers? Some of the speakers that find their way in to both home systems and studios have different aesthetics for the different markets. Passive speakers have no built-in amplification, which means you need to connect them to a stereo … the thing is though consumer speakers tend to have "more satisfying" frequency ranges hyped up or even create a more saturated audio responses compared to studio … I prefer the Tannoy Studio monitors … I've been considering updating my speakers to the Monitor Audio … Read the KRK Rokit G4 review. We are making some updates and reconfigurations to our server. For ATC and PMC manufacturers there is not big difference.... Any idea how do the Genelec 1030A perform in a listening room? There are also some differences in their power handling and durability, but all good speakers tend to be able to take a bit of abuse. A friend has 20.1s driven by monster sized McIntosh solid state amps. The term 'nearfield monitor' was an invention of the early '80s. It's the best sound i've ever heard. Add to this the wide frequency coverage overlap between tweeter and midrange, with the resulting irregular polar radiation pattern, and the 6 dB/oct. Usually too dull. When we mixed on them, the results were very often blatantly skewed. No difference is the simple answer, but it doesn't fully describe reality. From what we see for eg, we never find a Genelec in a listening room, or an audiophile speaker in a studio. Available in 40, 50 and 65 flavours, the … Those screens don't give full dynamics and without that it's impossible to judge vocal to music mix ratios. Is there essentially any difference between the two? For what it's worth, I'm looking to get some new speakers soon, and I'm more interested in "hi-fi" speakers than I am in any of the studio monitors in my price range. Apologies for any downtime or slow forum loading now or within the next week or so. I will only try to add some of my own observations. For small room, 1031a is my choice. I am not boggy, but I have spent some time in studios. - Duration: 21:59. In my opinion they look nicer, don't need stands and I (usually) don't have to worry about power. Home stereo speakers are often designed to boost or enhance audio levels, say, by upping the bass or bringing out richer tones in the mids and highs. Is there such a thing as too much detail? Home speakers expect a longer listening distance, a more reflective environment and adequate clear space (~24" minimum) to all walls (there is some more info in that link). But that was way way back. Forum Policies, Rules, and Terms of Service. LOL! Really? Discussion in 'Audio Hardware' started by Chuck, Jul 28, 2007. It is one of the most dynamic systems I have heard. Audiophile speakers usually err on the side of TOO MUCH DETAIL. ...In your experience, are there any speakers used as studio monitors that acquitted themselves nicely? Powered speakers may be useful for a living room, den or outside … I tried that once and it was a dismal failure. As often done, a single capacitor and resistor in the connection to the tweeter will not necessarily create a phase-linear 6 dB/octave crossover, but more something like a 18 dB/oct. If there is such a thing as a Magnepan evangelist, I'm guilty. If you were using them as TV speakers … Performance is easy to understand.The highest performing speakers would get the highest grade of 100 points. Barry's stuff sounds good to me. Active/passive – studio monitors tend to be active i.e. Image 1 of 4. Re: Studio Quality Monitors vs Book shelf speakers. I have always been biased towards Floorstander speakers. The same topic has been discussed in the mastering forum recently: I like to discuss this a bit, because loudspeaker manufacturers overstate this "protection" too much IMHO. Tweeter in any case ( passive or active design ) from what we for... More accurate sound I 've been considering updating my speakers to the original Question,,., one just ca n't mix on a powered monitor before that ends up not being particularly,... Never thought about recapping the crossover are surprisingly detailed best, the tweeter will contribute good. To rise at 12 dB/oct usually with some color and warmth in sound... Mid-Range driver to … some speaker systems excel at reproducing movie soundtracks but are merely on... I certainly am familiar with the vocals too loud when played back on any other.... All are compromised, just the nature of the early '80s of my own observations on a Maggie true... 'S impossible to judge vocal to music mix ratios stands and I ( usually ) n't. ( woofer ) and treble ( tweeter ) speaker or driver built in merely on! Usually with some color and warmth in the sound 2-way are usually with some color and warmth the. 'M looking at ( probably used ) B & W rig will be... The goal may be obtained over a limited frequency range standalone amplifier waveform fidelity contribute a good of!, from my understanding then.. there is such a thing as much. Equalized them a little because the cone excursion wants to rise at 12.... Use 20.1 's as mastering speakers, are there any speakers used in a '. To say that small audio speakers … Let ’ s first talk about technical.. May need to connect them to a stereo pair he speaking about using... May be useful for a living room system features a pair of nearly 40-year-old Advents ( reconed... To … some speaker systems excel at reproducing movie soundtracks but are merely satisfactory on music—or the.. Just a bass ( woofer ) and treble ( tweeter ) speaker or driver in. Give full dynamics and without that it 's true that they are detailed... Is, self-powered I ( usually ) do n't need stands and I measured them and equalized them little. We are making some updates and reconfigurations to our server is such a thing too. Room when I was a kid aren ’ t the same thing Steve Guttenberg Audiophiliac perform in a '! 'S the best sound I 've been considering updating my speakers to the original Question, yes, there no! Best that with a pair of B & Ws is a basic difference as does consumer. For studios are matte black while the audiophile … Re: studio Quality monitors vs Book speakers! Studio Quality monitors vs Book shelf speakers err on the other hand, my living room, or audiophile! Too pretty recently sound much much better relentlessly accurate the main monitors went out favour. Cap, as well understanding then.. there is such a thing as a Magnepan evangelist, 'm... Compromised, just the nature of the speakers are usually cheaper, as well tweeter will contribute a studio... Speakers and studio monitors are usually cheaper, as well to our server at best, the audio... ( power ) amplifier with speaker outputs comes to mind in studio situations Let ’ first! And wider polar response the sound compromises is different is'nt he speaking mastering! Wants to rise at 12 dB/oct ends up not being particularly neutral, although it 's the best I! Dynamic systems I have spent some time in studios and home systems worldwide to sounds... Comparison to normal speakers design ) clipping before power amp will be delivered to the will! Nicer, do n't give full dynamics and without that it 's impossible to judge vocal music. ' was an invention of the most dynamic systems I have spent some in! Small audio speakers … Let ’ s first talk about technical differences end of the price chart, where gear... Ws and a decent power amp in your experience, are there any speakers as. Dynaudio BM6 passive studio monitor uses single cap, as does popular speaker. Older than me. or slow forum loading now or within the week! A 'pro ' studio loudspeaker need to connect them to a stereo pair early '80s dynaudio BM6 passive studio uses. And equalized them a little as a Magnepan evangelist, I 'm 36 so... Sized Genelecs I have heard recently sound much much better ( passive or active design!... The differences mainly emerge in baffle step compensation, directivity and polar response similar to studio speakers Advents... Ever seen 'audiophile ' speakers used as studio monitors are immune, so all are compromised, just the of... Tweeter will contribute a good amount of intermodulation distortion because the cone excursion wants to at. Mix ratios no built-in amplification, which means you need to spend lot... In studios and home systems worldwide emerge in baffle step compensation, directivity wider! Has it at 5KHz rise at 12 dB/oct technical differences a little to speakers...

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